Project

PUMA SPEEDCAT 王淨 2025 Commercial

PUMA SPEEDCAT 王淨 2025 Commercial

Client

PUMA

Category

Category

[CG/Product]

[Fashion]

[Sport]

Year

2025

2025

@puma x @_ginglebellaaa PUMA SPEEDCAT 王淨 Official Commercial 2025 - 1. STORY CORE — Polaroid x 2D World x Toy Box The Polaroid functions as a medium to connect the 3D and 2D worlds. Gingle begins in a 3D environment alongside a 3D SPEEDCAT model. Each Polaroid snapshot transitions her into a 2D space, where two versions of her interact in a fun, energetic way that reinforces the product’s playful personality. 2. VISUAL CONTRAST — Product-Centric Dimensional Play Introducing a toy-like 3D SPEEDCAT model enhances the playful tone while strengthening product visibility. The combination of dimensional 3D elements with flat 2D graphics creates a clear contrast that highlights the shoe’s design and silhouette. 3. Cinematography — Clear, Purposeful Framing The use of fixed angles—wide surveillance perspectives and flat, animation-style frontal shots—creates a simple and readable visual language. This approach makes the transitions between 3D and 2D worlds intuitive and engaging for the viewer. 4. COLOR & TEXTURE — Polaroid-Inspired, Brand-Aligned The color palette references PUMA’s tones while incorporating retro Polaroid textures: soft grain, instant-film edges, and warm highlights. This dynamic Polaroid look connects back to the story device and gives the campaign a unique, recognizable visual signature.

@puma x @_ginglebellaaa PUMA SPEEDCAT 王淨 Official Commercial 2025 - 1. STORY CORE — Polaroid x 2D World x Toy Box The Polaroid functions as a medium to connect the 3D and 2D worlds. Gingle begins in a 3D environment alongside a 3D SPEEDCAT model. Each Polaroid snapshot transitions her into a 2D space, where two versions of her interact in a fun, energetic way that reinforces the product’s playful personality. 2. VISUAL CONTRAST — Product-Centric Dimensional Play Introducing a toy-like 3D SPEEDCAT model enhances the playful tone while strengthening product visibility. The combination of dimensional 3D elements with flat 2D graphics creates a clear contrast that highlights the shoe’s design and silhouette. 3. Cinematography — Clear, Purposeful Framing The use of fixed angles—wide surveillance perspectives and flat, animation-style frontal shots—creates a simple and readable visual language. This approach makes the transitions between 3D and 2D worlds intuitive and engaging for the viewer. 4. COLOR & TEXTURE — Polaroid-Inspired, Brand-Aligned The color palette references PUMA’s tones while incorporating retro Polaroid textures: soft grain, instant-film edges, and warm highlights. This dynamic Polaroid look connects back to the story device and gives the campaign a unique, recognizable visual signature.

Credits

Credits

Production House: PARA Creative Co., Ltd. @paracreativeco Client: PUMA @puma Star: 王淨 Gingle @_ginglebellaaa Film Director: Stanley Kang @stanleykang.ksl Dop: @_chengpoyun Gaffer: @_wsnig2 Editor/Compositing: Stanley Kang @stanleykang.ksl 3D Model/Artist: @kang__ Colorist: @yuega.ste Art Design: @whynot_advertising @giovenny_mimi